Download Turntable Stencil JNL Font Family From Jeff Levine Fonts

Designed by Jeff Levine, Turntable Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.

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A disc jockey-only promotional sleeve for a 1964 [45 rpm] release of “Close to Me” and “Let Them Talk” by Dan Penn featured the song titles printed in a stencil typeface on the record sleeve.

Closely resembling a stencil version of Franklin Gothic but with its own unique characteristics, this design has been reinterpreted as Turntable Stencil JNL and is available in both regular and oblique versions.

For trivia buffs, Dan Penn is a singer-songwriter-record producer, often collaborating with Dewey Lindon “Spooner” Oldham; both closely associated with the late Rick Hall’s Fame recording studios in Muscle Shoals, Alabama.

In 1964, Hall started the Fame record label, and for a time it was distributed by Vee-Jay Records of Chicago, the first major Black-owned record label in the United States. 

Penn’s release was only the second for the new label; Fame 6402.

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Download Hatter Halloween Font Family From Rodrigo Typo

Designed by Andrey Kudryavtsev, Rodrigo Salas and Franco Hernández, Hatter Halloween is a multiple classification font family. This typeface has twelve styles and was published by Rodrigo Typo.

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Hatter Halloween, is an extension of After, which includes ligatures, Extrude, Swash, Layers and contains entertaining Dingbats for Halloween parties or on horror themes.

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Download Quorthon Font Family From Paulo Goode

Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode.

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Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs.

BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required.

DARK is a little more subtle, while retaining a barbed style, more contemporary serifs are present. The highly-contrasted, calligraphic glyphs are full of character and subtle nuances that give these fonts a unique personality. Again, these fonts are perfect for branding, advertising and logotype designs… and maybe even a tattoo?

GREY is the softest of all the Quorthon styles, its minimal design and clean, straight lines make it ideal for creating stunning titles and headlines. It evokes the past with its blackletter pedigree, yet is imbued with a modern architectural influence.
Key Features:

• 15 font family – 5 weights across 3 styles
• 17 Alternates in each font
• Western European Language Support (Latin only)
• 250+ glyphs per font.

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Download Artisinal Font Family From Stiggy & Sands

Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands.

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Historical Art Deco typestyle finds new legs as a Revival

Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings.

We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u and y and their accented styles.

See the 5th graphic for a comprehensive character map preview.

Opentype features include:

- Full set of Inferiors and Superiors for limitless fractions.
- A Standard lining figure set.
- A collection of basic f Ligatures.
- Stylistic Alternates for variations of several characters such as u and y.
- Contextual Alternates for the original wedge variations of capitals that will mix in where appropriate.

Approx. 448 Character Glyph Set: Croft comes with a glyphset that includes standard & punctuation, international language support, and additional features

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Download Ridiculous PB Font Family From Pink Broccoli

Designed by Phil Bracco, Ridiculous PB is a display font published by Pink Broccoli.

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Ridiculous is a complete whack-a-doodle sans-serif font inspired by the titling sequence from the 1964 film, “Yours, Mine, and Ours”. Fun and full of personality, it is a lettering style that is completely insane. With ligatures enabled, the font will auto-substitute between cases for an even more random appearance.

With a pseudo unicase character set, and offbeat letter weighting, Ridiculous is pure lunacy to typeset with, with ligature combinations that are quirky surprises. You’ll find this font will live up to it’s name.

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Download Skeletal Wish Font Family From Hanoded

Designed by David Kerkhoff, Skeletal Wish is a grunge font family. This typeface has two styles and was published by Hanoded.

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Skeletal Wish is a line from one of my favourite Opeth songs: Heir Apparent. The lyrics are pretty veiled and bleak, describing the destruction and downfall of something that once was beautiful. I am worried about what is happening with our planet: the Amazon forest is burning down, our oceans are full of plastic and the earth is warming up. I had to think of this when I created Skeletal Wish and I thought the title was perfect.

Skeletal Wish is a heavy and scary halloween font. It comes with blobs, splatter, gore and whatever else you may need for your designs. It won’t help save the Amazon rainforest, nor will it stop the flow of marine plastic, but you could use it to create a protest sign.

After all, the change begins with you.

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Download Clockmaker Font Family From Sudtipos

Designed by Alejandro Paul, Clockmaker is an art nouveau font family. This typeface has eight styles and was published by Sudtipos.

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Sudtipos is proud to announce the release of Clockmaker, an 8-weight family that takes initial inspiration from typography around the turn of the twentieth century. Clockmaker takes aesthetic references from Victorian, Art Nouveau and Art Deco advertising and typography, taking special influence from John F. Cummings’ all-caps – and never digitized – type design Elandkay. 

Clockmaker is a robust multi-weight family that includes an array of ligatures as well as alternate characters and support for all latin languages. The design process began with developing and modernizing the uppercase letterforms, followed by designing the lowercase and additional weights. Creating a diverse and playful set of uppercase ligatures was an almost endlessly enjoyable task; they are one of Clockmaker’s most charming features. Clockmaker is an impeccable choice for designs requiring a vintage flair such as a luxury liquor labels, restaurant identities, lavish hotels and many other applications where elegance and grace are needed.  

In addition to its historical references, Clockmaker is an homage to my grandfather who was a master craftsman, repairing antique clocks and fine watches with great skill and mathematical precision. Watching him work was fascinating and it has been a joy to remember those quiet and curious moments from my childhood while designing this font.  

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