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| Designed by Jakob Fischer, Cookie Powered is a hand display and hand drawn font published by Pizzadude.dk. |
Tall, thin, grid, legible and handmade! What’s not to like?!
The font was made using a squared paper as a base for the lines. However, I managed to keep the free spirit of the handmade look, despite the guides.
Play around with the 4 different versions of each letter and the swashes to make your text stand out!
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| Designed by Keith Bates, Mancunium is a sans serif font family. This typeface has twelve styles and was published by K-Type. |
MANCUNIUM is a sans serif family with a contemporary monolinear character, though designed with the iconic proportions of Roman capitals in mind.
In addition to reliable romans, the typeface includes proper, optically corrected italics. Also, uniquely, a set of ‘vertalics’ that contain the more scriptlike glyphs of the italics with angled stem terminals, but which are unslanted and upright in aspect, and without the slight narrowing of the italics.
Each font includes a full complement of Latin Extended-A characters and additional oldstyle numerals.
Mancunium is sold in two collections – a Regular/Bold package and a Light/Medium package. Each package contains six fonts - two romans, two italics, and two vertalics.
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| Designed by Eliza Gwendalyn, Rain Lily is a modern calligraphy and script font family. This typeface has two styles and was published by Studioways. |
Rain Lily is a modern brush lettering and handwritten font duo designed by hand lettering artist Eliza Gwendalyn. Both scripts were drawn completely by hand and digitally perfected to bring you these unique script fonts. Rain Lily is a bold, connecting brush script, with lots of swashes and loops, while Rain Lily Two is a lighter, straight stroke semi-connecting script, with a little less flair. Both scripts are ideal for use in a wide range of projects, from branding & advertising to wedding stationery & birth announcements! They also pair well with sans serif and serif typefaces!
Each font is packed with ligatures and some alternate letterforms that help text runs appear more natural. The OpenType ligature feature will automatically insert ligatures when certain glyph combinations are typed, and the swash feature in Rain Lily will replace some beginning and ending letters with nice gentle swash alternatives. Rain Lily also boasts five Style Sets that let you swap out groups of letters with interesting alternatives.
Both fonts support the extended European character set so language support is extensive.
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| Designed by Vika Usmanova, TT Alientz is a multiple classification font family. This typeface has three styles and was published by TypeTrends. |
TT Alientz is a variable* typeface that allows the user to make a visual journey from a laconic extraterrestrial grotesque to a very prickly display serif. As part of this project, we decided to investigate the influence of a foreign substance and the consequent transformation of the original forms, which ultimately leads to extreme visual changes.
The TT Alientz family consists of 3 fonts: grotesque, serif and variable* font. Each font contains more than 470 glyphs. In addition to broad language support (including Cyrillic), the typeface has stylish ligatures, contextual alternates, and old-style figures. Variability in the typeface affects the changes in the overall style of the font—moving the slider to adjust the variable axis, you can go from a laconic grotesque to an extreme serif.
TT Alientz Grotesque is a fairly neat hipster grotesque, but with its own small features. In the design of some letters of the grotesque you can find small sharp elements that add uniqueness and character to the font when used in large inscriptions and headings. At the same time, when you use the font in a small size of the size and in text blocks, sharp elements do not greatly affect its readability. The design of some letters of the grotesque is quite peculiar and is intended to emphasize the initial concept of slight ‘alienness’.
TT Alientz Serif is an ‘infected’ TT Alientz Grotesque and the result of changes to it. Unlike the grotesque, the serif is dynamic, viscous, ductile and very prickly. Serif has a lot of smooth lines and not quite standard strokes contrast. It can be noted that most serifs in the antiqua are pointed inward, not outward. Despite its extremeness, the serif will look good both in large and in small body sizes.
*An important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/
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| Designed by David Kerkhoff, Shibby is a comic and hand drawn font family. This typeface has two styles and was published by Hanoded. |
shibby adj (etc.). Used to indicate that something is “cool.” Apparently Shibby was first used in the 1999 movie Dude, Where’s My Car?
I don’t think Shibby is THE cool word of the moment, but I think it is cool enough for this rather shibby font!
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| Designed by Dieter Hofrichter, Askan Slim is a serif font family. This typeface has eighteen styles and was published by Hoftype. |
Askan Slim is the perfect complement of the Askan family.
Both have the same design features, cap-height, x-height, descenders, and ascenders in common. It is a moderately condensed version of Askan and works superbly in combination with Askan or independently for space saving applications.
Like Askan, Askan Slim consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.
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| Designed by Jakob Fischer, Rocket Please is a hand display and hand drawn font published by Pizzadude.dk. |
A charming font with shaky lines and 6 different version for each letter. Use it for something that needs a handmade and/or organic look. That could be children’s books, posters, greeting cards, product packaging ... anthything that needs a special appearance and charm.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
