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| Designed by Jeff Levine, West Fork JNL is a serif and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
West Fork JNL is based on the classic wood type Latin Extended (Hamilton, 1888) and is available in both regular and oblique versions.
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| Download West Fork JNL Fonts Family From Jeff Levine Fonts |
Designed by Ray Larabie, Gravtrac is a slab serif font family. This typeface has fifty-six styles and was published by Typodermic Fonts Inc.
Gravtrac is a slab serif headliner designed to deliver solid punches while taking up as little horizontal space as possible. Inspiration comes from mid twentieth century classics: Univers 59 Ultra-Condensed, Helvetica Inserat and Compacta. It’s all about flat sides, a steady rhythm and tight, precision curves. The widest style of Gravtac is Condensed—compact, yet a comfortable read, available in 7 weights from Ultra-Light to Heavy. Gravtrac Compressed is probably the width where most typefaces would quit. It’s narrow enough for most…but not for you. That’s why we have Gravtrac Crammed. It’s audaciously narrow—perfect for times where you want the reader to slow down and truly pay attention to the message. Gravtrac Crushed is devilishly slender. Try it with wide tracking for a stark, opulent look. All styles are also available in obliques varying from 7 to 10 degrees—58 styles in total. Gravtrac includes Opentype fractions, numeric ordinals, a breadth of currency symbols and old-style (lowercase) numerals. Almost all current Latin based languages are supported as well as Greek and Cyrillic. Every skilled designer already has slab serif typefaces in their stockpile but some of us have the need to squeeze.
Designed by Hendry Juanda, Hello Christine is a modern calligraphy font published by Letterhend Studio.
Introducing, Hello Christine - a textured brush typeface. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- Lowercase & uppercase
- numbers and punctuation
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Jeff Levine, Throughway JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
From the pages of a small book entitled “A Portfolio of Alphabet Designs for Artists, Architects, Designers & Craftsmen” [Irene K. Ames, 1938] comes a bold Art Deco sans poster display face.
The digital version is called Throughway JNL, and is available in both regular and oblique versions.
[To note, throughway (or sometimes spelled thruway) is a popular term from the 1950s and 1960s for a major road or highway.]
Designed by Hendry Juanda, Revalina is a modern calligraphy and script font published by Letterhend Studio.
Introducing, Revalina Signature Script - a typeface inspired by natural hand written. This font has many stylistic alternates, ligatures, swashes so you can play around with them using opentype features and creates lettering with natural touch. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- swashes
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Jeff Levine, Structural Glass JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A page from the 1931 Vitrolite catalog showing illustrations of store fronts and building exteriors utilizing the material provided a classically Art Deco type example.
The business name “Sylvin” did not offer many characters to work with, so completion of the digital type design was simply left to imagination.
The end result is Structural Glass JNL, which is available in both regular and oblique versions
According to Wikipedia:
“Pigmented structural glass, also known generically as structural glass and as vitreous marble, and marketed under the names Carrara glass, Sani Onyx, and Vitrolite, among others, is a high-strength, colored glass. Developed in the United States in 1900, it was widely used around the world in the first half of the 20th century in Art Deco and Streamline Moderne buildings. It also found use as a material for signs, tables, and areas requiring a hygienic surface. Over time, the trademarked name “vitrolite” became a generic term for the glass.”
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| Designed by Cucu Supriyadi, Autherical is a blackletter and dingbat font family. This typeface has three styles and was published by Seventh Imperium. |
Autherical is old and stylish, was inspired by old fraktur calligraphy. This typeface comes with two version regular and slant. Also comes with extra ornament and multilingual characters support.
more than 400 glyph and lots of alternates, access the all alternates by PUA code, create you boldest old stylish on your designs with this typeface.
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| Download Autherical Fonts Family From Seventh Imperium |
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
