Thursday, May 20, 2021

Marquise fonts from vatesdesign - (vtyyv)

Marquise
Marquise is a modern calligraphy and script font published by vatesdesign.


Marquise is a jazzy calligraphic script for custom wedding invitations, save-the-date cards, baby shower invites, and personal branding. Based on classic shapes, it is designed to resemble natural handwriting with slight variations in tilt, baseline, swashes, and stroke width. Marquise has extended character set with Western European languages support



Marquise


Just Pixo fonts from Latinotype - (ihljg)

Just Pixo
Designed by Monica Rizzolli and Tony de Marco, Just Pixo is a display font family. This typeface has eight styles and was published by Latinotype.


Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”.

As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.



Just Pixo


Wednesday, May 19, 2021

Amonos Display Font Family fonts from Brenners Template - (vrmlg)

Amonos Display Font Family
Amonos Display Font Family is a display sans font family. This typeface has eighteen styles and was published by Brenners Template.


Amonos Display Font Family aims for a modern and simple lifestyle.
Sleek and stylish skeletons boast a unique style from thin to black weights.
Regardless of weights, 18 styles have special talents related to headings, subtitles and logos.
The understated metaphor and sense of stability is the best alternatives for creative typography.
Therefore, it supports stable dynamics beyond the biased simplicity of geometric fonts.
And some different Glyphs of oblique typefaces add to the delightful fun.
Enclosed Glyphs and Symbols will be so useful for editorial design.



Amonos Display Font Family


Gurgle Jock fonts from Bogstav - (btrqk)

Gurgle Jock
Designed by Jakob Fischer, Gurgle Jock is a hand display font family. This typeface has two styles and was published by Bogstav.


Gurgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together!



Gurgle Jock


Ingeo fonts from Blancoletters - (dfymp)

Ingeo
Designed by Juan Blanco, Ingeo is a display sans font family. This typeface has nine styles and was published by Blancoletters.


Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive.

Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.



Ingeo


Tuesday, May 18, 2021

Gurgle Jock fonts from Bogstav - (gtcit)

Gurgle Jock
Designed by Jakob Fischer, Gurgle Jock is a hand display font family. This typeface has two styles and was published by Bogstav.


Gurgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together!



Gurgle Jock


Ingeo fonts from Blancoletters - (opeko)

Ingeo
Designed by Juan Blanco, Ingeo is a display sans font family. This typeface has nine styles and was published by Blancoletters.


Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive.

Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.



Ingeo